Monthly Archives: June 2013

Yippee Ki-Yay Mother F**ker

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A Good Day to Die Hard, 2013
Let me start by saying that I am a huge fan of the Die Hard franchise. I feel that they have the ultimate action film blend of down-trodden hero, dastardly villain, unlikely sidekick, and awesome (albeit unlikely) action sequences. The truly dark motives of the villain would threaten to drown out the film if it wasn’t for the perfectly timed and sometimes unexpected (although no longer) comic moments. These comic moments are delivered by both villain and hero at times, but are especially superbly delivered by the often underrated Bruce Willis.

The two Die Hard films that really stand out for me, in terms of the winning formula, are Die Hard and Die Hard: With A Vengeance (the first and third installments). Interestingly these two were both directed by John McTiernan (Predator, Last Action Hero, The Hunt For Red October). Although Die Hard 4.0 (also known as Live Free or Die Hard) wasn’t directed by McTiernan, he produced and it still had an awesome villain in Timothy Olyphant, and brilliantly funny sidekick Justin Long.

This most recent installment was neither directed or produced by McTiernan, which doesn’t bode well in terms of adhering to the beloved formula. However…

As a stand alone it makes for a good action film. It has all the big budget, high adrenaline action sequences that we have come to expect from these films. Car chases (mostly involving Mercedes interestingly enough…), explosions, helicopter crashes, Chernobyl (don’t ask), it has them all.

If you were expecting our usual John McClane misadventure, unfortunately this film misses a few key targets. It seriously lacks in the comic department, the first funny moment is more than half way through. It opens feeling very maudlin and bitter, and that feeling doesn’t really lift throughout. The entire first half feels like one long opening sequence, and who the villain is and their motivation is rather more muddled than it should be for a Die Hard movie. I get the feeling that Willis still has what it takes in terms of comic timing and that he was seriously underused. It was great to see Australian Jai Courtney playing McClane’s son, but again I think his skills were also underused.

Overall this was a fun action film full of explosions and gun fights. But for the die hard Die Hard fan, it didn’t quite hit all the right notes. Now, if you’ll excuse me, I’ll be off making fists with my toes…


28 Days Later & 28 Weeks Later

Well here I am, sick in bed. What could be more appropriate than snuggling up with a couple of horror movies that I haven’t watched in a while…

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28 Days Later, 2002
This is a very eerie and unusual film in the zombie movie category, far from what has become the typical Hollywood approach to the genre. Despite the violence of the opening scenes, the rest of the film is uncharacteristically non-violent. This gives what violence there is much more intensity and shock value – a fact often seemingly forgotten by film makers. It also features very little in the way of a sound track, and what little there is ads to the lonely, helpless feeling of those alone in a world full of ‘infecteds’.

There is, of course, the obligatory frolic in the supermarket which you will find in a lot of zombie movies – tapping in to our desire to go on an unlimited shopping spree with very few consequences.

It is the behavior of the uninfected people that is most disturbing. What a bunch of soldiers will do when left with no hope and nothing but rank and orders to hold them together, instead of friendship, family, and free will.

Directed by Danny Boyle (The Beach, Trainspotting) and starring Cillian Murphy in his break-out role (Batman Begins, Inception), as well as Naomie Harris (gorgeous in Skyfall and Pirates of the Caribbean: Dead Man’s Chest), a nasty Christopher Eccleston (Doctor Who, Elizabeth), and lovable Brendan Gleeson (In Bruges, Braveheart).

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28 Weeks Later, 2007
Now this is a completely different film. This is an example of what happens when Hollywood gets their hands on a low budget horror film and make a sequel – and it’s not a terrible example, just very different from the original. They clearly have a higher budget, and are going for a very different audience. The violence is far more extreme and constant, and the soundtrack is far louder.

We find ourselves in post-infection England. ‘Infecteds’ have died of starvation and the survivors are being reunited and rehoused with their families. However, to use a much beloved Jurassic Park quote – Life will find a way – or in this case the rage virus will.

The violence is far more gratuitous, thus losing a lot of the shock value. It is much more typical of the modern Hollywood zombie slash-fest (think Resident Evil). But the action is decent, even if the storyline has some flaws. As an aside, I love the reference to FUBAR (f**ked up beyond all recognition) which is an acronym dating back to WWII.

Stars Jeremy Renner, a year before his big break in The Hurt Locker, Aussie Rose Byrne (Damages, Troy), Robert Carlyle (The Full Monty, Trainspotting) and Harold Perrineau (Romeo + Juliet, Lost)


Fast & Furious 6

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Fast & Furious 6, 2013
In my view this series just gets better and better, especially since Justin Lin has been at the helm. Yes, most of the action sequences are incredibly unrealistic (aren’t they in every film?), but my god they are fun! Thankfully they have steered clear of the overuse of CGI that we saw in the second film, and kept it as real and gritty as possible.

And there’s plenty of muscle, of both the varieties that I like. The driving is fantastic, and the intense action sequences are peppered with humour and throw-away one-liners delivered superbly by Dwayne Johnson and Tyrese Gibson in particular.

It’s nice to see one of my favourite cinematic families back together again. I just wish I could tell Han not to go to Tokyo…


The Great Gatsby

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The Great Gatsby, 2013

Gatsby – in a word? Magnificent. Beautiful film making with, in my view, the most effective use of 3D I’ve seen in a long time. The most wonderful set and costume design – Catherine Martin is a genius. And the casting was perfect. Leonardo DiCaprio just gets better and better, Carey Mulligan was stunning, and Joel Edgerton was wonderfully horrible. I came out of the movie feeling like Jay Gatsby was one of the saddest, yet hopeful and courageous literary characters. Baz Luhrmann – I take my hat off to you, you are a visionary and genius in the cinematic world, and you have made our world richer.

Luhrmann’s films aren’t for everyone. I know there are those who call this film boring or too over the top, and those who simply refuse to see it because it was directed by Baz Luhrmann. If you don’t like your cinema colorful, visually rich and full of nuance hidden in the layers of excess, you might not like this movie – but open your mind, let go of your preconceptions and see where the film takes you. You might just like it!